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It’s an incredible list. Don is explaining, “Well, I live at the ranch. In that same ’83 essay on masterpieces, he says, “I was delighted that in the new book on her, Frida Kahlo said that the United States looked like a chicken coop … and New York is a city coop, a ‘dense-pack’ commercial operation.” He picked out Kahlo’s comment, not on art, but on a sentiment they shared about urban planning. As befitting an evening in the environs of Marfa, Flavin Judd was also there. He set about creating his own designs, and one of the first pieces he made was an unusual bed for his two young children, modelled on Frank Lloyd Wright’s at Taliesin with its day and night bed separated by a partition wall. After all, Judd first visited Marfa in 1971, and it’s where Flavin and Rainer were primarily raised after Judd separated from their mother, the choreographer and dancer Julie Finch. Going to a bookstore—everywhere we traveled, language barriers or not—was like Christmas. If you believe in one imaginary thing, then you have to believe in all of them, so all you can rely on are your empirical experiences. ‘He put beds and places to sit all around his properties because they were all places to work. At the Tate Modern website, we found this photo by Judd of his wife, Julie Finch, Flavin Judd and Rainer Judd in the family bedroom on the fifth floor of 101 Spring Street, New York, 1970. Basically from 1986 on, it’s a slow slide downward … If Eva Hesse were doing her work today, she’d be the most radical artist alive. JUDD: During his lifetime, they built great buildings, like the Guggenheim, the Breuer building, and the Kimbell Art Museum in Fort Worth. Like, when I was a kid, I read lots of science fiction, so he bought me J.G. JUDD: Because they’re symbolic. “Don just drew circles on the map trying to like figure out where nobody lived and he found Marfa,” Flavin says. One of those, "Untitled (To Dan Judd, Colorist)," is a tribute to another artist who, along with Dan Flavin, helped define minimalist art.

Together the actor and former model went on to welcome two more daughters Sistine in 1998 and Scarlet in 2002. 'The couple initially met in 1988 and began a relationship that ended in 1994, when the actor had a relationship with model Janice Dickinson. ‘And it was kind of neat because you could hang stuff on it, and throw stuff at each other over it.’ As they grew, he designed more pieces for them, such as school desks and chairs. Immediately out of the gate, the estate was millions in debt and everything was a mess.

It’s the reverse,” Flavin explains when we met up at the Judd Foundation space on Spring Street this past September. If you’re a Midwestern farmer, you know all about the weather, you know about the plants, you know about the conditions. How would you describe him?JUDD: Dan came down to Texas, and if you knew Dan, he was not the kind who would want to be in Marfa, Texas. He envisaged it as a studio and a home for him, his wife, the dancer Julie Finch, and Flavin, then a toddler. And no matter what God you believe in or what you do on Sunday, those facts are not going to change. That is why his furniture is the way it is and the buildings are the way they are. New York is probably better than a lot of places, but he didn’t like cities. '23 years of marriage,' she wrote with a heart emoji. If you’re making art about myths, then you’re making them contrary to facts. That was a big deal because Leo was among his “firsts.” His first art dealer was Richard Bellamy.LaCAVA: What was his relationship like with Richard?JUDD: I think Richard was hard to deal with.

Rainer and Flavin Judd, Donald Judd’s children, who oversee his legacy and who have ensured that his writings reach a wider audience. This exchange can be harder when you’re alone in the desert. [Judd’s assistant of 15 years], Julie Finch [his ex-wife and mother of Rainer and Flavin], and Lauretta Vinciarelli [an Italian artist and architect who was Judd’s partner in the 1970s], is something we wanted to share.” —RIMA SUQI . If you want to be interesting, find a better way.LaCAVA: The question of function was primarily that of architecture. They think Don had this idea for all these buildings and went there to do it.

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