mark shapiro, conductor

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mark shapiro, conductorgrocery gateway promo code july 2020

He is a frequent guest conductor for the Nova Sinfonia in Halifax. Versatile conductor Mark Shapiro is exceptional among artistic leaders in North America for having won a prestigious ASCAP Programming Award six times, achieving the unique distinction of winning such an award with three ensembles over a two-decade span. He teaches conducting at the Juilliard School (Evening Division) and has been a long-time member of the conducting faculty of Mannes College the New School for Music. He frequently serves as a pre-concert lecturer and narrator of orchestral concerts, and has been a panelist for The Philadelphia Music Project of the Pew Charitable Trusts, the State of Connecticut, the Ann Stookey Fund for New Music, Chorus America, and the American Choral Directors Association. In addition to his post as Artistic Director of Cantori New York, Mr. Shapiro is Music Director of the Prince Edward Island Symphony, for whom he recently spearheaded a commissioning project celebrating the 150th anniversary of the Charlottetown Conference; he also leads The Cecilia Chorus of New York, which presents an annual subscription series in Carnegie Hall that, under Mr. Shapiro’s leadership, has recently included that organization’s first-ever commissions for the hall. He has been in the vanguard of conductors engaging in relevant and vital ways with musicians, audiences and … Mark Shapiro, “the insightful conductor (who) draws subtle and dynamic playing” (A six-time winner of an ASCAP Programming Award while at the helm of three different ensembles over a two-decade span, Shapiro is Music Director of The Prince Edward Island Symphony and The Cecilia Chorus of New York, which performs an annual series in Carnegie Hall; and he is Artistic Director of Cantori New York, which holds the unusual distinction of having appeared at all five major halls at Lincoln Center.A skilled linguist as well as a fluent musician, Shapiro has conducted multiple opera productions with Juilliard Vocal Arts, and has conducted opera with American Opera Projects, the Center for Contemporary Opera, Encompass New Opera Theatre, Hofstra Opera Theater, Mannes Opera, Underworld Opera, and the Opera Company of Middlebury. None, that is, except to satisfy a musical drive, an explorer’s hunger to know what there is to know about the historical literature and maybe even to find something rare and wonderful that is new or has been forgotten. He has been a guest conductor at the Radcliffe Institute for Advanced Study and each summer he directs the conducting program of the European American Musical Alliance in Paris.“Maestro Shapiro led the musicians superbly through a most demanding program – eliciting a moving and energetic performance from soloists and orchestra alike. Mark Shapiro, “the insightful conductor (who) draws subtle and dynamic playing” (The New York Times) from his musicians. Shapiro’s perspicuous gestures accurately telegraphed the changing moods, tempi, and shapes of phrases.. Shapiro offers “spirit, flexibility and sensitivity in his conducting” (The Rutland Herald) of orchestras, choruses and opera, and is equally at home as a speaker, presenter and teacher. ” — Bruce-Michael Gelbert, The New York Native“Mark Shapiro at the piano did such an excellent job that I did not miss the orchestra.” — (Michael Dellaira’s opera Chéri) Leo Kraft, The New Music Connoisseur“Tom Cipullo’s ‘Glory Denied,’ presented by the Center for Contemporary Opera in a ‘staged reading’ with piano accompaniment, attracted an overflow audience to the Thalia Theater at Symphony Space…Music director Mark Shapiro presided over a fine cast.” — George Loomis, The New York Times“OPERA NEWS EDITOR’S CHOICE…A VITAL PERFORMANCE BY MARK SHAPIRO AND CANTORI NEW YORK…enthusiastic and dramatically potent…virtuoso playing of the highest order…Shapiro’s musicians deliver the goods with vitality, exuberance and polish.” — (CD: Frank Martin’s oratorio Le in Herbé- Newport Classics) Joshua Rosenblum, Opera News“The principle roles are well characterized and sung, and the instrumental playing first-rate. Mark Shapiro, Music Director. But more groups should do it.” — (Lisztfest) Carlton Wilkinson, The Asbury Park Press“Cantori New York and the Long Island University Chorus howled gloriously under the direction of Mark Shapiro; we were right at home, ringside to mob rule.” — (Il Piccolo Marat) John Yohalem, Opera Today“The reverent a cappella opening prayer, fervently sung by Cantori New York and Long Island University Chorus, under Mark Shapiro, is pure Mascagni…” — (Il Piccolo Marat) Bruce-Michael Gelbert, Qonstage“Cantori New York and the Long Island University Chorus contributed greatly to the evening…The chorus sang with perfect diction, precision and clarity.” — (Il Piccolo Marat) Nino Pantano, Opera-L“…one of the more unusual choral performances of the New Jersey season…[Shapiro] paced [Les Noces] with a drive that kept the music feeling alive and evocative…[C]onductor, singers and instrumentalists should be applauded…a tribute to Shapiro’s ability…erudite and far-reaching.” — Willa Conrad, The Star Ledger“MONMOUTH CHORUS PLAYS ‘MAGIC FLUTE’ TO PERFECTION…Shapiro achieved a superb balance between pit and stage.

Le Vin Herbé is full of beauties but the whole is more than the sum of the parts, and Mark Shapiro’s and his colleagues’ love for the score shines through every bar.” — Robert Layton, International Record Review“The ensemble writing in Le Vin Herbé is demanding…Cantori negotiates all of this successfully. [email protected]. On the other hand, under his baton there was no problem that did not have a solution.” — Peter Spencer, The Star-Ledger“Mr. ‘Les Noces’ has a presence, a weirdly spiritual and dancing sense of humor that embraces all the tears and foibles of human bonding. It also attested to this group’s continued important place in the New York City choral music landscape.” — (The Cecilia Chorus of New York), theaterscene.net“Virtuosity and assurance.” — (Cantori New York) Allan Kozinn, The New York Times“[Cantori New York], directed by Mark Shapiro, sang with uncommon polish.

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