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... “If you hire 100 percent male directors, nobody notices,” said Alia Luque, one of the 10 female directors Ms. Bergmann chose for this season.

The first is “Poms,” a comedy from Zara Hayes that arrives on May 10. Viewers and Critics Liked Them. Male nominees are expected to fill 100 percent of the slots.Let the women compete for hair and makeup. That includes Ms. Gordon’s “Little,” starring Issa Rae, right, and Marsai Martin.STXfilms has had success with female-focused films, like “I Feel Pretty,” which was directed by Abby Kohn and Marc Silverstein. “I’m no longer relevant” (Robert De Niro’s assassin in “The Irishman”).

Moviegoers have been responding favorably to diverse casting and stories (“Us,” “Crazy Rich Asians,” “Black Panther”), prompting studios to serve up more.

(The next one is “Universal Studios has 15 movies with release dates through December. Ms. Glaser has been the chief financial officer of Etsy, Inc., since June 2017. They are among the female directors … Much of its output involves female-focused movies like the Amy Schumer vehicle “I Feel Pretty,” directed by Abby Kohn and Marc Silverstein.“We’re proud of our track record of making films for, with and by women,” Mr. Fogelson said.

LOS ANGELES — Elizabeth Cantillon has worked in Hollywood for three decades, first as an executive at Sony Pictures, where she helped steer the James Bond franchise, and now as a producer. Women Made Them.

from the Women have come a long way in Hollywood since 2017, when the #MeToo and Time’s Up movements swept the culture — maybe so far that the film establishment, still overwhelmingly male, is reflexively trying to throw on the brakes, said Cantillon, who has been a member of the Academy of Motion Picture Arts and Sciences since 2017.“I think there was all this support for the resistance,” she said, “and then they were like ‘Whoa, not so fast.’”For people who share Cantillon’s point of view — and there are lots of them in Hollywood, male and female — the lack of traction for female filmmakers this awards season is particularly galling because there are many worthy candidates.They are just a handful of the dozen films from women directors sure to be among the top 100 grossing films of 2019, a 10 percent uptick from the 12-year norm and a significant improvement from last year’s abysmal showing of 3.6 percent. Gordon Welters for The New York Times.

At least 10 films with female directors are in development at Paramount, including a new “Star Trek.”The higher the financial risk, though, the less confidence decision makers have in hiring women. “I think that is becoming increasingly more important, but I would say the business is slower to see the connectivity.”That most studios employ few female directors would not surprise anyone who has been paying attention to the So the of-the-moment snapshot provided by the recent studio presentations is striking.During its session on April 3 at CinemaCon, a convention staged by the National Association of Theater Owners, Disney unveiled a 19-film slate for the rest of 2019, including a batch of movies from the newly acquired 20th Century Fox. Kyrre Lien for The New York Times LESSONS IN LEADERSHIP Tove Selnes, left, an executive vice president of Opera Software in Oslo and a past participant in Female Future.

And Wilde, who will direct a thriller for New Line and a comedy for Universal Pictures as her “Booksmart” follow-ups, kicked off the festivities with a rousing speech that name-checked a slew of female filmmakers that inspired her this year, including all of the women mentioned above in addition to Alma Har’el (““Hollywood is cracking open its gates to let us in,” she said. They come from all over the world, work in every genre, and have made some of the best films and television of all time.

Paramount presented a family adventure (“But look a little closer at the movies on studio rosters — and who is directing them — and Hollywood’s inclusion narrative falls apart by one crucial measure. Rachel Glaser was elected to the Board of Directors of The New York Times Company in 2018. And that is not likely to change given the highly unpredictable nature of filmmaking, what gets released when and who makes those decisions.But Dr. Stacy L. Smith, the University of Southern California professor who has made studying gender bias in media her life’s work through the Annenberg Inclusion Initiative, sees the situation differently.“The Golden Globe nominations are a textbook illustration of leadership bias,” Smith said. Best female Directors list Female directors, A-Z. TheCinematography? They are among the female directors with movies coming out this year.Clockwise from top left, Theo Wargo/Getty Images; Gabriel Olsen/FilmMagic, via Getty Images; Robyn Beck/Agence France-Presse — Getty Images; Presley Ann/Getty Images; Matt Winkelmeyer/Getty Images; Fernando Leon/Getty ImagesOf 15 movies from Universal with release dates, four were directed by women. Fewer ticket-buying decisions are made based on the gender of the filmmaker, however.“Does a consumer care about how something is made versus what they see onscreen?” Cathy Schulman, an Oscar-winning producer (“Crash”), said in an interview.

So, major studio films remain the slowest to embrace opportunity parity.

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